Old Master Antique Museum Acquired 15th, 16th C Oil on Wood Portrait Painting

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Location: North Chicago, Illinois, United States
Ships to: US,
Item: 224057814724

Original/Licensed Reproduction:Original
Subject:Portrait
Listed By:Dealer or Reseller
Painting Surface:Wood
Material:Oil
Date of Creation:Pre-1800

eBay Rare Old Master Antique Museum Acquired 16th, 17th C Oil on Wood Portrait LOMBARD SCHOOL, CIRCA 1500 Profile portrait of a noble gentleman in profile. oil on panel, unframed panel, 8 1/4″ x 6 1/2″ Acquired from the Metropolitan Museum of Fine Arts Historical original paintings like this are few and far between. The anonymous, yet skillful hand of this painting displays the influence of some of the leading Lombard portraitists such as Zanetto Bugatto and Giovanni Ambrogio de Predis. This piece is listed at a fraction of acquisition expenses. Being sold from the estate of a fine art collector who passed. We will present all offers to the Executor of the Estate . This will be an excellent financial investment for the saavy collector. Condition Painted on archaic wood panel, old crazed surface, with expected paint cracking, craquelere, and paint loss/fading. Overall presents in excellent condition given its age. HISTORY OF OIL ON WOOD PAINTINGS from Wikipedia Most European Renaissance sources, in particular Vasari, credited northern European painters of the 15th century, and Jan van Eyck in particular, with the “invention” of painting with oil media on wood panel supports[5] (“support” is the technical term for the underlying backing of a painting). However, Theophilus (Roger of Helmarshausen?) clearly gives instructions for oil-based painting in his treatise, On Various Arts, written in 1125. At this period, it was probably used for painting sculptures, carvings and wood fittings, perhaps especially for outdoor use. However, early Netherlandish painting with artists like Van Eyck and Robert Campin in the 15th century were the first to make oil the usual painting medium, and explore the use of layers and glazes, followed by the rest of Northern Europe, and only then Italy. Early works were still panel paintings on wood, but around the end of the 15th century canvas became more popular as the support, as it was cheaper, easier to transport, allowed larger works, and did not require complicated preliminary layers of gesso (a fine type of plaster). Venice, where sail-canvas was easily available, was a leader in the move to canvas. Small cabinet paintings were also made on metal, especially copper plates. These supports were more expensive but very firm, allowing intricately fine detail. Often printing plates from printmaking were reused for this purpose. The popularity of oil spread through Italy from the North, starting in Venice in the late 15th century. By 1540, the previous method for painting on panel (tempera) had become all but extinct, although Italians continued to use chalk-based fresco for wall paintings, which was less successful and durable in damper northern climates. We accept best offers, paypal credit with free financing and ship all over the world!

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